Rosencrantz and Guildenstern were, at least in the Shakespearean play, sycophants who agreed to spy on their friend for the king.In fact, if the player allows Gertrude to discover the truth behind King Hamlet's death, her righteous anger leads her to confront her new husband in a vengeful rage.
In the original play, Gertrude was left a rather ambiguous character, with many questions about her left unanswered did she know that Claudius murdered her late husband, for instance? Did she assist him in that murder? Was she having an affair with Claudius behind the late king's back? Elsinore confirms that, while she did begin an illicit relationship with Claudius before he murdered King Hamlet, she was left completely in the dark about Claudius' schemes and had no reason to want the former king dead.Finally, he ends up having an instrumental part to play in Ophelia's (admittedly unsuccessful) plan to kill Quince and end the time loop. The prince's more cruel moments towards Ophelia in the play are mostly written out, and he rather sincerely apologises should she tell him up-front how horrible he made her feel. Hamlet himself, under certain conditions, displays a level of growth and maturity his canonical self never demonstrates, and in almost every instance where he is confronted with his selfish and immature behaviour, he expresses immediate regret and a desire to repent.
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In addition, almost every single character from the original play could be considered an example of this trope, since all of their more wicked actions are strongly implied to have been caused by Quince's machinations, rather than their own free will.
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